![]() Even if it's the most interesting thing in the film, it feels stale considering how similar the role is to Mendelsohn’s performances in Rogue One: A Star Wars Story and Ready Player One. The 2018 Robin Hood tries to exist in the mold of a superhero origin story, and Ben Mendelsohn’s performance awkwardly attempts to combine a tragic backstory referencing childhood abuse at the hands of the Catholic Church with more exaggerated hamminess inspired by Rickman’s interpretation. Ridley Scott’s 2010 Robin Hood was initially conceived of as a reimagining from the Sheriff’s perspective, but the eventual film reverted to a more familiar take with Matthew Macfayden in the role. ![]() Just as Errol Flynn created a gold standard that later Robin Hood actors would desperately try to emulate, subsequent attempts at depicting the Sheriff were caught in Rickman’s shadow. Rickman created contrast within the film itself, and it’s hard to watch any of the overlong sequences of Costner and Morgan Freeman’s Azeem Edin Bashir Al Bakir trudging through the English landscape without yearning for the energy of the Sheriff scenes. A New York City police officer tries to save his estranged wife and several others taken hostage by terrorists during a Christmas party at the Nakatomi Plaza in Los Angeles. There’s not much new to say about a story most viewers know by heart, and prolonging that doesn’t justify an entirely comedic reimagining. With Bruce Willis, Bonnie Bedelia, Reginald VelJohnson, Paul Gleason. Mel Brooks’ 1993 film Robin Hood: Men in Tights primarily targeted Prince of Thieves, but other than recognizing some of the chief complaints it contained very few clever jokes. Inserting a satirical character within a film that played everything else completely straight ended up being more successful than an outright parody. He’s a fairly impressive swordsman and the sword fight is fun, but it lacks the energy of the standalone moments save for his gloriously hammy death. At this point the rescue and subsequent battle for Nottingham Castle can only play out as expected, and Rickman has to engage in the actual story and not be left to his own devices. The film’s conclusion in which Rickman and Costner duel once the latter arrives to rescue Maid Marian ( Mary Elizabeth Mastrantonio) is actually the least interesting part of the film. We tend to expect a story in our biographies and Madly, Deeply lacks the detail and connections to make it a story. While parts of Madly, Deeply: The Diaries of Alan Rickman were interesting, most readers will probably find the straight diary format of the book off-putting. Viewers brave enough to explore the 155-minute extended cut released in 2009 will discover even more snappy lines from the Sheriff that were initially left on the cutting room floor. This one’s for die-hard fans of Rickman and his work, not casual viewers. The amount of new dialogue was significant enough that it sparked friction within the production, with Costner famously asking for Rickman’s role to be diminished, as he feared his title character was being overshadowed in his own movie. Rickman said that director Kevin Reynolds was the only person who knew about his additions to the script, allowing his co-stars to react authentically.
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